Family Portrait 110, Kyungwoo Chun, 2003
His chromatic spectre stretches from black and white to super saturated pictures passing through sepia and blue monochrome. Due to the very long exposures the photos are often taken in indoor locations and usually have a neutral monochromatic background.
Nine editors 9, Kyungwoo Chun, 2014
VERSUS 2, Kyungwoo Chun, 2007
Believing is seeing 11, Kyungwoo Chun, 2007
In general Chun takes more gloomy and introspective pictures while Bohbot and Woon shoot a more peaceful and fairy-tale like reality. I would like to explore how would this two different styles relate and if a good final piece could be created by this bond between two opposite way of seeing the world through a camera.
1592 1, Kyungwoo Chun, 2007
reMEMBERed 5, Kyungwoo Chun, 2002
Simultan 10, Kyungwoo Chun, 2010
|